Jaksic Stonemasonry
Workshop and Gallery

Stone Bust of Dr Franjo Tuđman for the Croatian Club in Adelaide

- The monument to Franjo Tuđman, the first President of the Republic of Croatia, is one of the significant recent works in our category monuments, sculptures and public spaces. This stone bust of Dr Franjo Tuđman was commissioned by the Croatian Club in Adelaide, Australia – an important gathering place for the Croatian community and a centre of cultural, social and heritage activities. For many members, having a bust of Tuđman in their space carries both emotional and symbolic meaning. The author of the work is our sculptor Lovre Jakšić, widely recognised for his expertise in portrait sculpture. This is his second monument to Franjo Tuđman. The first one stands in the centre of the town of Nerežišća on the island of Brač, where Tuđman’s bust appears to emerge from a massive block of stone – a symbol of strength, stability and an important historical moment. The Adelaide bust, however, is a life-size stone portrait made in a more classical tradition. This monument to the first Croatian President emphasises Tuđman’s most recognisable features: his high forehead, sharp concentrated gaze, characteristic nose and well-defined facial contours. The stone bust faithfully follows his physiognomy, conveying seriousness, determination and a statesmanlike presence. One of the most challenging parts of the process was carving the glasses in stone, balancing precision and subtlety. The carefully cut edges create a clear outline while blending naturally with the surface of the face. The sculpted clothing, sash and emblem further underline the ceremonial character of the bust. The rougher texture on the sides is intentionally preserved as a contrast to the refined portrait, highlighting the natural strength of the stone itself. This stone bust of Tuđman, made from high-quality white Brač stone, combines durability with elegance. The bust now holds a prominent place in the Croatian Club in Adelaide, serving as a monument that connects the homeland and the diaspora, the past and the present, art and identity. It stands as a reminder of how powerfully a portrait in stone can carry historical and emotional significance.